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“Inventur—Art in Germany, 1943–55” at the Harvard Art Museums and “Nine Moments for Now” at the Cooper Gallery were both among Hyperallergic’s top 20 exhibitions across the United States this year.

Dell Marie Hamilton curates this examination of art’s intersection with politics. The show is part of For Freedoms, a nationwide campaign exploring Franklin Delano Roosevelt’s four tenets of human rights, famously depicted by Norman Rockwell.

Finally, there is the Ligon — a canvas that reminds one of nothing so much as a monolith tipped on its side, set grayly against a wall that barely abides it. That the 20-foot long painting is the terminus of Harlem: Found Ways, a recent presentation at...

With the exhibition Harlem: Found Ways, the Cooper Gallery presents artistic visions and engagements specific to Harlem, New York City, in the last decades. Each artwork employs a distinct set of inquiries and innovative strategies to explore the Harlem...

For its inaugural summer exhibition, the Ethelbert Cooper Gallery of African & African American Art presents THE WOVEN ARC, curated by Gallery Director Vera Ingrid Grant, with a special installation of legacy textiles and hats by David Adjaye.

The revolution will not be televised, nor is it over. This is the premise of Grant’s Woven Arc exhibition, an intriguing mix of historic African textile-pieces and decorative arts, juxtaposed with 18 works of contemporary African and African-American art...

A thousand words are cool and all, but the creators behind a new exhibit at Harvard University’s Ethelbert Cooper Gallery of African and African-American Art in Cambridge, Mass., are hoping that visitors walk away with even more to ruminate on.

This fall, Black Chronicles II, an exhibition showcasing never-before-seen portraits of 19th and early 20th century Black British citizens, makes its U.S. premiere at Harvard's The Ethelbert Cooper Gallery for African & African-American Art. The show is...

“We are not what we seem.” When the iconic novelist Richard Wright wrote those words, in 1940, he was describing the African-American experience. As a stunning new exhibit at Harvard University’s Ethelbert Cooper Gallery shows, the complexity of seeing...